People find crime fascinating, and detectives spend most of their time attempting to solve crimes. However, the appeal of the criminal genre has little direct relation to actual crime. People are predisposed to listen to tales, especially crime stories, so it has far more to do with the fundamental nature of storytelling.
Cause and effect:
One of the excellent narrative tenets is cause and consequence, and crime fiction best exemplifies this. Because the reader or audience sees every scene as having the potential to generate an impact that occurs later in the tale, you’ll notice more in crime fiction than in other genres that every stage has to be justified. Each plot event needs to have a reason for occurring in the story.
Proper narrative principle:
The purest genre, in terms of structure, is crime fiction. The narrative idea is particularly evident in classic crime fiction. Crime is the most visible external issue that serves as an instigating occurrence. Until the investigator gets the call to investigate the incident, the crime is not a part of their daily lives.
The investigator is therefore assigned a task or a mission. The plot lays out the investigator’s goal to solve the crime. An investigator’s job is to identify the first clue in a series of clues that will lead to the resolution of a crime.
Managing the social environment requires us to have a human desire to understand the motivations of others around us. Crime fiction offers a kind of arena for honing this ability. Because the inspiration behind the act, not the perpetrator, makes a crime narrative intriguing. It’s more often a whytheydunnit than a whodunnit.
Crime fiction offers a kind of arena for honing this ability. Because the motivation behind the crime is more intriguing in a crime narrative than the perpetrator, it’s more often a whytheydunnit than a whodunnit.
Search for truth:
Gaining consciousness is the result of a quest for the truth. Creating the moment of epiphany is one of the keys to writing excellent stories and creating a pivotal scene that serves as the audience’s “aha” moment and organizing the remainder of the narrative structure around it. Compared to other genres, crime fiction has the intriguing twist that the main character frequently shows no sign of development. The main character in most stories learns a lesson, develops emotionally, and transforms by the time the story is over. For most investigators in crime novels, that cannot be claimed.
Of course, crime fiction also deals with mortality in its subject matter. As a result, comedy and tragedy, two of the oldest and most traditional forms of storytelling, have many characteristics of crime fiction. Consequently, it conveys practically everything that can be obtained through storytelling.